.... In a world of bottled-births, not only is there no need for a family, but the idea is actually considered obscene. The terms "mother" and "father" are extremely offensive and are rarely used except in science. Huxley uses Mustapha Mond, the World Controller, to portray the vulgarity when he explains the obscenity of life before Utopia to a group of students: And home was as squalid psychically as physically. Psychically, it was a rabbit hole, a midden, hot with the frictions of tightly packed life, reeking with emotion. What suffocating intimacies, what dangerous, insane, obscene relationships between the members of the family group! (37) .....

.... I met her, Annie was an unadorned artiste who had just transferred out of Manhattan and into the country. To a small cottage by a lake. Her child, Oliver, who loved to ride his bike, moved in as well. I have to say that when I met Annie for the first time it was as Juror N° 224. She was a sparkling maid. Who would have thought a rotten soul such as the teacher would try to harm her? I confess that her recoil in the following days impressed me. This time the trial was against Louie Boffano. He was the head of the mob. He and his right hand The Teacher were as bad as they come. The case was the murders of Salvadore Riggio and his grandson. .....

.... when she received seventeen gentlemen callers in one day. The next day Amanda finds out that Laura has dropped out of business school, and confronts her, Laura explains that she could not handle the class and has been out walking every day. Amanda sits down with Laura and asks if “she ever liked a boy”?, Laura points to a picture in her yearbook. Later that evening Amanda and Tom argue, she does not understand why Tom goes to the movies every night. Tom states that he hates working for the family as he has been doing and leaves for the movies. He returns late that night drunk and after losing his key Laura opens the door for him. Tom t .....

.... characteristics into this comical relationship. Tom and Huck are two adventurous souls but in very opposing ways. Huck’s idea of adventure is to escape from society, their beliefs and all of their conformities, but he does it in a way that is level-headed and sensible. Tom, on the other hand, is more likely to make up an adventure based on something he had read in a book and not really trying to escape anything. All of his ideas and schemes come from books, unlike Huck, who has actually lived the fantasies Tom has imagined. The two are alike in one way though. They both have a very strong sense of adventure. I think this one trait along with .....

.... "A Doll House" is an icon of the women’s movement, even though it is not about women’s rights. It is argued by some that Ibsen would not admit "A Doll House" to be a play on women’s rights because he did not want to be associated with the women’s movement since it was not popular at the time. This is however only because as Ibsen said "whenever such a description is felt to be reasonably true, the reader will read his own feelings and sentiments into the work" (1133). The story is actually about a woman who thinks she knows herself. Nora, in the beginning of the story, does not understand just what kind of position she has put herself in by ta .....

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.... Amanda obsesses with the past, and at the same time damaging the children psychologically. Constant allusions to the past have psychologically affected Tom and Laura, trapping them into Amanda$BCT(J lost world. Tom and Laura fail to survive in the present because they are always trying to live through the past. However, the past no longer exists, causing them distress in their journey through life. Tom is unsuccessful with his job at the warehouse and Laura cannot seem to fit in with the outside world. These personal downfalls in life drive Tom into a life of poetry and movies, and Laura into a world of glass figurines. Tom is unsatisfied w .....

.... and insure that this suffering would never occur again (Critical 1). Steinbeck shows in The Grapes of Wrath that there is no one man, but one common soul in which we all belong to. The subject of Steinbeck's fiction is not the most thoughtful, imaginative, and constructive aspects of humanity, but rather the process of life itself (Wilson 785). Steinbeck has been compared to a twentieth century Charles Dickens of California; a social critic with more sentiment than science or system. His writing is warm, human, inconsistent, occasionally angry, but more often delighted with the joys associated with human life on its lowest levels (Holman 20). T .....

.... again.� “I am sorry, sir. I’m afraid I don’t understand your question.� Later in the interrogation, the colonel is so twisted in his conversation that he no longer wants to know when Clevinger said that he could not be punished. He now wants to know when Clevinger did not say that he could not be punished. Clevinger quickly rebuts and states, “I always didn’t say you couldn’t punish me, sir.� Finally, the colonel is satisfied with that answer even though Clevinger’s statement did not answer the question and has no meaning. Major Major often spoke with a lack of meaning. He simply did not make sense. For instance, he told Sergean .....

.... to die anyway. The Judge, Lord Coleridge, found them guilty because "law cannot follow nature's principle of self-preservation." In other words, necessity is not a justification for killing, even when this necessity is beyond human control. Since Billy is unable to defend himself verbally, he "responds to pure nature, and the dictates of necessity" by lashing out at Claggart. I agree with Reich's notion that Vere was correct in hanging Billy, and that it is society, not Vere, who should be criticized for this judgement; for Vere is forced to reject the urgings of his own heart and his values to comply with the binding laws of man. First, the mo .....