.... respectable class. Twain once wrote, “My books are water; those of great geniuses wine. Everybody drinks water� (Zwick 1). Now, over 100 years later, Huckleberry Finn suffers yet another attack. It has been called racist trash, derogatory for its use of the word nigger and its stereotypical portrayal of blacks. Helen Steele, a member of 100 Black United claimed, “Anything that's going to harm any kid - white, black, Hispanic, anything - needs to be removed from required reading… We try to teach them every day not to be racists�(Simmons 1). This means then, that books that discuss racism to its fullest (fullest including the language o .....

.... had to do twice the work. Napoleon, as usual sits in his office doing his "paper work." Rumors have been circulating that the cat has seen Napoleon sleeping at his desk, then after waking, moving to drink his rum. Something must have to be done. That night, when Napoleon was asleep, all the animals were told to meet at the "Old Major Orchard" at midnight. Sure enough, the animals arrived. They had an inquisitive across the hay dark empty field, they all sat down I started to address them. "Comrades, we are here tonight to discuss the well-being of all the animals on Animal Farm. As you may well Know, Napoleon has been seen doing things tha .....

.... I gazed upon it" (63). The use of repetition in first person point of view helps to stir some emotions of the unknown. It creates the suspense of not knowing what will happen next. By using first person point of view, Poe was able to show how the narrator feels. An example of this is when the narrator uses the phrases at the beginning to question his existence. The narrator wanted to know if he was mad, or not. Phrases such as "I heard all things in the heaven and in earth" (62), tells the reader that the narrator indeed is mad, yet the narrator thinks himself not. In the following statement, "If still you think me mad, you will think so no lo .....

.... [esteem] it a holy privilege to efface themselves as individuals and grow wings as ministering angels.” She gave up her individuality by taking marriage vows and became one half of the Ratignolle family. “The Ratignolles understood each other perfectly. If ever a fusion of two human beings into one has ever been accomplished on this sphere it [is] surely this union.” Madame Ratignolle has surrendered to her husband’s world as proper wives at the time were expected to do. She obeys her husband and assumes the responsibility of keeping him satisfied. “She would not consent to remain with Edna [when] Monsieur Ratigno .....

.... and controlled a legion, was exactly correct. Caesar, as history as shown, is a brilliant leader. Caesar believed that by leading you must not just make a plan, you must carry it out with his own manpower. He was always on his horse leading his pack through the bloodshed, not like many other leaders. When Decius was talking to Milo towards the beginning of the story he says that Caesar is known for being "reckless." He recounts the story of the pirates that captured him. Also in that conversation, Decius puts down Caesar because he says that Caesar has no money and that even as Pontifex Maximus, he still doesn't have any money. So he think .....

.... death, doubtless because of the as-yet unparalleled sensuousness of the story and its characters. In his critical biography Kate Chopin, Per Seyersted argues that "The Storm" is objective in its portrayal of human sexuality and that Chopin is "not consciously speaking as a woman, but as an individual" (p169). One must question this assertion, however; it is doubtful that in writing "The Storm" so soon after completing her 'feminist' novel, Chopin had "the protest of "The Awakening" off her mind" (p169). The Coming of the Storm The title of "The Storm", with its obvious connotations of sexual energy and passion, is of course critical to any int .....

.... opposite elements; moreover, from the surrounding death, both main characters, Marlow and Gabriel, go through a symbolic rebirth. Before it is proven how Marlow and Gabriel have symbolic rebirths, it first must be shown how death exemplifies itself within the works, as it does through three main elements: the motif, the setting and the characters. While it is obvious that James Joyce’s title for the his work, “The Dead� refers to the death the story portrays, Joseph Conrad’s book Heart of Darkness, expresses death through its title in a more subtle way by depicting it as a journey to death. The central motif of death which protrudes to the su .....

.... like a “fly as it … [beats] against [a] windowpane� (pg. 332) longing to join the world out there, but not understanding this desire rationally yet. Marmeladov’s room is “suffocatingly hot, but [Katerina] [has] not opened the windows� and in Alyona’s apartment “all the windows … [are] closed, in spite of the stifling heat� (pg 114) the day he commits the crime. In the former place he leaves money on the windowsill, while in the latter he takes money away. In both cases, however, the rooms are hot, and a feeling of an uncomfortable and unfriendly place is drawn in the reader's mind. Neither Raskolnikov's narrow room, Sonya's cheap a .....

.... an ideal image of himself for Nick and others he wanted to impress, especially Daisy. In this image he claims he is the son of some wealthy people in the Midwest but educated at Oxford; traveled to Paris, Venice, and Rome; collects rubies, hunts big game, and paints; and received many awards and medals for his outstanding effort in World War I. Gatsby created this “ideal image� in order to impress those people who were curious about his background such as Daisy and Nick, and to make sure no one thinks he was “just some nobody�. This “ideal image� was a complete lie; his real name was Jay Gatz, which he changed when he was seventeen .....

.... would greatly outweigh the liabilities (IV, 20). If one looks at the last sentence of the previous paragraph, "Rammohan Ray preferred the company of learned shastric brahmans," one's puzzlement with the previously quoted paragraph only increases. What is the logical connection between this paragraph and the previous one? Where is the transition that will link the two? Also, the paragraph itself, obviously, is somewhat compressed; the author has not bothered to spell out his thesis clearly. There is a certain degree of editorial sloppiness too. For example, ""de facto", ""sarkar"," "ancien regime"" are all italicised, but not ""shastr .....