.... as well, since in the time to come people will be even more wealthy than they are now (see later on the part of my essay "On Future") and able to better satisfy their needs. Well, I guess the notion of wealth is just relative. Same as basic needs which can cause even more trouble. What are basic needs? Color TV and refrigerator or your own jet plane? Or maybe just a barrel in a harbor as Diogenes showed us? Knowledge. In my opinion the problem with knowledge may be similar to the wealth issue. Knowledge in general (meant as scientific knowledge) has increased dramatically over the last centuries, but arguing that this has contributed to general .....

.... books about knight-errantry and went crazy. He convinced a simple-minded peasant named Sancho to become his squire, promising him wealth and a high spot in society. This book consists of many adventures these two had, both were convinced that they were doing brave and honorable acts of chivalry, when they were only two fools running around the countryside. Cervantes tries to make his book more interesting with the use of point of view. Don Quixote sees what his mind and imagination create, not that which is transferred through the optic nerves in a very clean-cut scientific manner. He retreats to a world that holds meaning for him. When he first d .....

.... plot in which an author manipulates events to act on the emotions of the audience without regard for character development or logic (Microsoft Encarta). In order to classify as a Victorian melodrama, several key techniques must be used, including proximity and familiarity to the audience, deceit rather than vindictive malice, lack of character development and especially the role of social status. The sensational novel is usually a tale of our own times. Proximity is indeed one great element of sensation. A tale which aims to electrify the nerves of the reader is never thoroughly effective unless the scene be laid out in our own days and among th .....

.... his often praised sonnets. Writing about the joys and tragedies while also writing about the trials and tribulations of love was Shakespeare’s objective in select sonnets – Sonnet 116 and Sonnet 129. His views on what is love put into prose enables all that read his sonnets to interpret Shakespeare’s definitions of love and lust. Throughout his sonnets, Shakespeare discusses the conflicts that men have with time, such as time vs. the body and time vs. the mind. Although time withers the body and eventually the mind, Shakespeare writes that time has no effect, however, on love. Love prevails throughout time and is forever young when it is .....

.... Ophelia; Hamlet and his father, set against Hamlet and Gertrude. These comparisons, I believe, demonstrate the power of male bonding, and show male/female relationships are formulaic in character, defining the woman by categories. Femininity, symbolic of sexual potency and control, must be determined by the male hierarchy. II Hamlet has an ambivalent relationship with Horatio. Hamlet, at first, distances himself from Horatio, and is wary of placing too much trust in his friend. Indeed, Horatio recognises the individual nature of the Ghost's plight, and implicitly, therein, Hamlet's task: It beckons you to go away with it, As if it some impar .....

.... leading the fall of Jonan's wealth and power. So who's vengeful plot brought him out of the shadows, where his controlled madness might have fooled the likes of Jonan for a while, but the latter's paranoia finally caught on and killed Sowho and itself; putting a rest the destruction and curse laid upon the poor factory workers and opening a broad new scale of possibilities that might (in long terms) help tip the edge of demeaning business ethics in the Nigerian society. Anyone who read Macbeth would agree that it's quite parallel to Flowers & Shadows. Even thought the books where written by two different authors at different time peri .....

.... American baseball leagues. The old man's hero was the New York Yankees' Joe DiMaggio. Santiago identified with the ballplayer's skill and discipline, and declared he would like to take the great DiMaggio fishing some time. After visiting one particular afternoon, the boy left Santiago, who fell asleep. Lions immediately filled his dreams. As a boy he had sailed to Africa and had seen lions on the beaches. Now, as an old man, he constantly dreamed of the great and noble beasts. He no longer dreamed of storms, no .....

.... writers who interest in reaction, logic, and scientific observation, the Romantics stressed the examination of inner feelings, emotions and the use of imagination. This seemed to be the first element in . It appeals to emotion rather than reason. Also, the explores the mysteries of nature and supernatural. It reflects interesting in nature because the Romantics describe their story and poem about America wilderness or countryside or they depicted nature. This element that the reader can recognize clearly in the compositions of these writers above. The third element that the Romantics interest in unusual or ordinary. Furthermore, Romantics had .....

.... an idealistic, sentimental picture of the village inn: 'ancient, clean, and free from sin.' Betjeman highlights how easily the PRO pulls the public into his creation by emphasising the lines: 'So spake the brewers P.R.O., A man who really ought to know, For he is paid for doing so.' with a rhyming triplet instead of a rhyming couplet. Betjeman stresses the PRO's contradictory character and adds some sarcasm when he says that the PRO 'kindly' gave him a 'free' colour booklet. Betjeman is also showing that the PRO constantly puts on a façade by saying that he was kind. The PRO wouldn't be expected to be mean which makes you realise that they are .....

.... passions and feelings. During this journey of endurance, Aeneus actions and surrounding actions in rage the reader, while also withdrawing pity and the satisfaction of justice. A reader can start to sense feelings of hatred towards a character, but lack of such emotion would be robbing Aeneus of his satisfaction. When Aeneus retells the loss of his wife, Creusa, he says, "She alone failed her friends, her child, her husband." (A, II, 963-64). Aeneus shows no sorrow for losing her, but blames her for not being next to his side. Although Aeneus made his wife follow him, she is to blame for not making it out of Troy. His insensitivity sh .....