.... in a bed with sheets.” These are a crystal clear examples of the novel’s dynamic use of verbal irony. The novel also has some good situational irony. A good example is when the pigs begin to walk, something that they vowed they would never do, or when they got drunk, again, something they vowed they would never do. In addition to verbal and situational irony, we can too find some dramatic irony. When Boxer is sent off to be slaughtered, the characters trust Squealer when he says Boxer is being taking off to a hospital, but the reader knows the truth. While that is a good example, the best, perhaps, is the ending where it is state .....

.... signs of his horrendous behavior. He walks around the school with a baseball bat, rather than a clipboard or briefcase. The fear that he “earns� is more prevalent than the respect that the students and teachers have for him. He likes to be known as “HNIC� – the “head nigger in charge.� His absurd manners are strongly disliked by his fellow colleagues. He insults teachers in front of students and fires them when they do not comply with his harsh rules. The first disturbing aspect of this movie is Joe Clark’s personality; although he changes around the school, he does it in a bizarre and vicious manner. Another bizarre aspect of .....

.... and Alains patients, their battle with loneliness and the decision to move to the mining town, adjusting to the new city and accepting the fact with little provisions this is where they must live now. In Andre Langevins novel the characters Alain and Madeline are the embodiment of two people that are newly wed and the problems that each other face may or may not be normal. Alain and Madeline were a very unhappy married couple and there were many things underlying their true feeling about each other. This is proved when Madeline meets someone. Alain is confronted with this great big beast of a man who works in a bare and owns the restaurant. .....

.... offerings because the gifts that he is willing to give her are merely tokens of exaggerations and are listed to show his beloved that this is how much he wants her. Whereas in Sonnet 130, the poet is earnest and truthful in what he writes about his love. "I love to hear her speak, yet well I know that music hath a far more pleasing sound, yet, I think my love as rare as any she belied with false compare." This shows his honesty in speaking about his object of affection, yet he achieves the same sense of unconditional love that the poet in Marlowe’s poem tries to delineate without using embellishments. The speaker in Sonnet 130 doe .....

.... laughs at other peoples misfortunes, such as the girl in the picture getting shaken off the ladder by the boy. Now I am going to start to tell how I relate to the boy and give examples. Last year several kids, one of them being me, were chosen to do two grade nine courses. I started out at sixty-five and sixty-nine percent but I ended up at a seventy-five and eighty percent by the end of the school year. At the start of the year of most school years I get off to a slow start but end up closer to the top of the class by the end. Like some friends do they once in a while play a joke on me or someone else or do things they know will get me angry, .....

.... is a mystery itself, there is a secret at Thornfield and Jane can sense this. Then there is the mystery of the person who committed this act of violence. Jane suspects who it might be, but she is not for sure. To find out the mystery of the house and the person who did it a person has to solve it. Finally, there is the characterization of Bertha. From the way Rochester talks about Bertha at first she seems pretty normal, but he says how she become after they get married. She turned into someone he did not know, a crazy psychopath, mad woman. Rochester wanted to hide this from everyone even Jane, Bertha cares for no one but herself. She does not care .....

.... She got by the time less active in the house: she rather slept or sat around and forgot her tasks instead of doing some work in the house. The result was that Moses was now more or less the master of the little house. This gave him another strengthen in his power. He felt nice at this position equal or even superior to a white, he might have been proud because he had been teached by missionaries that white normally higher than blacks and now he is in the higher position. He had been in charge of a white person, what an exceptional position! Then from one day to the other he lost his job what had been his task day by day. This for him satisfying pos .....

.... the losers are only those weak enough to be comprimised. At a quick glance it would appear that Mark Antony was definitely better than Marcus Brutus. He avenged the death of Caesar, thwarting Brutus's plans, and in the end of the battle, he emerged as the new leader of Rome. Antony had the ability to speak well and take charge when in danger, he was also very strong physically as well as athletic. " I am not gamesome : I do lack some part of that quick spirit that is Antony. ( Act 1 , Scene 2 lines 28 -29 ) . However , further interpretation proved that Antony was not an all together better person . In order to avenge Caesar"s death he lied to .....

.... make sure Romeo gets the message which is probably the most crucial human action in the play. The other example of human actions controlling the plot is Juliet. In those scenes she acts in ways which seriously affect her life and the rest of the play. First, she comes to the Friar looking for help. “I long to die, if what thou speak’st speak not of remedy� (Act 4, sc i, ll 66-67) is her attitude towards her situation. She then accepts the friar’s solution and decides to take the poison. “Give me, give me! Oh tell me not of fear� (Act 4, sc 1, ll 121) are her words spoken to the friar. Her actions here are to be brave and to rush into t .....

.... the Magus who narrates his story of their journey to Bethlehem to witness the end of an era and the birth of a new one. According to the Oxford Dictionary of the Bible, "contrition is a penitent’s spiritual sorrow for the sins he has committed, and it necessarily includes hatred for such sins, as well as the determination to avoid them in the future." In the first stanza, this "spiritual sorrow" is apparent by the contrast Eliot uses, of the Magi’s difficult journey. In fact, the central focus of criticism has been on the journey; the "cold coming" (line 1) during "the worst time of the year" (line 2), emp .....