.... what household they come from. Juliet expresses this in act 1 scene 5, line 137 by saying, 'My only love sprung from my only hate!' This still doesn't stop the two lovers. As that they are in love with each other so much that it does not matter two them one single bit to them all they want to be is together. Still the two lovers would prefer it if the circumstances were indeed different. She wonders why the circumstances have to be this way and she wishes that she no longer be a Capulet or that Romeo no longer be a Montague. However she than realises that it doesn't matter what name a person has its what's inside and that definitely the truth no .....

.... comparing Gabriel Marquez's One Hundred Years of Solitude and Yasunari Kawabata's Thousand Cranes. The men in Yasunari Kawabata's Thousand Cranes and Gabriel Garcia Marquez's One Hundred Years of Solitude forever seem to be repeating the lives of their male ancestors. These cycles reveal that man as a being, just like the mythological heros, has no true choice in the ultimate course his life will take. The male characters' personal development is overshadowed by the identity of their ancestors. Clotho, it appears, has recycled some of her spinning thread. The new male generations, superficially, are perceived to be woven of l .....

.... To the outside it should look as if Leamas was fired due to his failures and would start to become an alcoholic. He then went jobbing and ended up working as a Library assistant, where he meets Liz, a young woman who is also working at the Library. The two become lovers and Leamas finds out that she is part of the “party�. He then starts a fight with a shop owner and ends up in prison, all of this was part of a big plan to get Fiedler to come to Leamas and not vice versa. The plan is successful and Fiedler comes into contact with Leamas and interrogates him. He is then brought to East-Germany where he is used as a witness during a secret t .....

.... There is no apparent rhyme scheme making it a free verse and prose piece. The setting is outside, most likely close to the speakers house, and surrounded by forest and wildlife. It takes place in the mid 1900’s and probably in the spring-time. This piece is compiled of nine triplets separated into three sections. The first section of three triplets starts with the speaker honing his knife throwing skills. In the first section the speaker starts his training. By this practice he automatically tells us that he wants for this action to happen perfectly. By perfecting his skills he confirms to us the importance of this act to him. In the fir .....

.... and head down stream. Savoring our feet splashing in the chilly water. What we didn't know, was what the day was about to become, and how it could have changed our lives forever. Less than two hours from now, we would know. I was assigned to a raft with my brother, my friend, and the river guide. The adults went in another. About an hour after we left, we made our first stop; an enormous rock midstream. We sat there for several minutes hopped back into the raft and we were on our way, rushing down the river, nearing towards the end. As we approached the last of the rapids, our guide asked if we wanted to surf up them. Surfing is basically paddling .....

.... and made the right choices in order to benefit the entire group. He wanted to do what was fair. When the group decided that they wanted to have fun instead of work, Ralph began to change. He bossed people around and didn't even try to compromise. Ralph was disliked by some, including Jack. This made some children leave his group and go to the group that Jack formed. The only ones that stayed with Ralph were Piggy and Samneric. When Ralph went to the "tribal" party and tried to have fun, Simon was murdered. Ralph didn't want that to happen again so he stayed away. At the end of the story, Ralph was running away from the other boys instead of con .....

.... This darkness is represents the nothingness from which the world evolved, and we also know it is a great power by the descriptor "all-humbling." According to this first stanza the same darkness will also mark the end of the world when the end of the world when the "last light" breaks and the seas are silenced. This stanza establishes a cycle of darkness before creation and a darkness after destruction that lays a symbolic foundation for the rest of the poem. The next stanza depicts Thomas as he himself enters this cosmic cycle and reveals this tremendously cosmic cycle to be death. Thomas's word choice is crucial as he describes the deat .....

.... she laughed at me an' calls me a liar. If only Tom were here then I'd show her! I wist' there weren't no kids, jus' me and Winfiel'... I tell ya, them kids at camp ain't no good, they stoled my Cracker Jack. I worked all day pickin' cotton to get that box, it ain't fair! One day, I will get that stupid girl.... Ruthie Lil' Ruthie got in a fight with some kids today. She tol' em 'bout Tom an' how he kil't two men an' how he's a-hidin'. It fri'ened me, and I had to go warn Tom. I tol' him to go far away, so no one would catch 'im. But that Ruthie, it ain't her fault', she just wanted her box o' Cracker Jack. No use for me hittin' her-she didn't .....

.... narrator takes on a different type of role in a novel. He is no longer used merely as a device to incorporate information; instead he plays an important and active part in the development of the plot. Traditionally the narrator is usually outside of the story, but in The Great Gatsby by F. Scott Fitzgerald, Nick Carraway (the narrator) is much more than that. Nick in this novel is an active member of the story, being only second in importance to the main character Jay Gatsby. This novel takes a very different approach in its development of the characters. Having the narrator change more than any of the other characters, this thesis will explain Fitz .....

.... its] unbroken, windowless multi-storied edifice the size of an airport terminal,� says Guterson (210). The outside was designed to attract a vast group of tourists that would flock at the chance to walk though America’s largest mall . He states, “ [The mall] had been imagined by its creators not merely as a marketplace but as a national tourist attraction…�(Guterson 211). Thousands of visitors go to the mall to get lost in its 4.2 million square feet of floor space. They wander around aimlessly looking for direction but find that the straight way was lost and the YOU ARE HERE landmarks on the map kiosks referred to nothing in particular (Gu .....