.... her society, marriage is held in high regard. It is a person's personal worth and the transfer of family fortunes that occurs during a marriage in this time that is probably the most important factor, not how the couple gets along or likes each other. Austen plays on this social behavior and seems to be making a statement. Therefore, I believe that Pride and Prejudice is a social satire. The language of Pride and Prejudice is astonishingly simple and the verbiage frugal, especially for the period in which it is written. There is no drastic action or heroic characters; however, Austen convincingly 1 develops character with it, and her characters, each .....

.... regaining his identity as a man. The episode involving the beautiful nymph, Calypso, relies on the intervention of the gods to rescue Odysseus from her enticing actions. With divine power on his side, Odysseus gains the right to return home and regain his identity as a man and as a leader. For seven years, Calypso has lured Odysseus to "lay with her each night, for she compelled him" (V. 164). Using her beauty while possessing hopes of making Odysseus her husband, the enchantress becomes overly distressed when the gods announce that she must release Odysseus and permit him to return to his homeland. Reluctant to let him go, Calypso promis .....

.... must get away quickly because he could not face the dead body of someone virtually killed by him.” (Kiwon 493) as Sogun thought while running to his room to pack. He could not help feeling the guilt of virtually killing Sokpae so he left the family. Sogun had thought that running away would make him lead a guilt free life. While leaving the house the voice of his grandfather stayed in his mind. He remembered his grandfather saying: “Everything in here is yours.” (Kiwon 494) Sogun knew what he did was wrong and what he did wrong led to Sokpae’s death. And for this he left so that he could not cause anymore problems or trou .....

.... and capricious emotions found there. The play, much like reality, is sprinkled throughout with gems of humor, and it will continue to fascinate as long as there is love. Shakespeare’s characters are certainly the most important part of A Midsummer Night’s Dream. All action must be carried out through them; all ideas must be transported to the audience through their moves and dialogue. The first and most obvious characters are the four mortal lovers. The women, Helena and Hermia, are respectively tall and fair, short and dark; there are no other notable differences between them. The men, Lysander and Demetrius, have no differences in personal .....

.... faced with the dissonance between the realities of the Breedloves'--and especially Pecola's--lives and the chapter headings that begin with excerpts from the white, middle-class Dick & Jane reader. Much as Pecola's world falls apart in the novel, the Dick & Jane passages, repeated three times, degenerate into formless, meaningless print: "seemothermotherisverynice." The object of scorn for her "ugliness" from her family and acquaintances, Pecola yearns to become beautiful and, (she thinks) as a result of her beauty, loveable. That beauty is strictly defined by white and unattainable standards; however, a Shirley Temple mug and Mary Jane candies become .....

.... and blacks, he did not know what exactly was going on in the world around him. Wright wished to dig in deeper into this issue and it motivated him to borrow a library card from a white man. Since he “knew that Negroes were not allowed to patronize its shelves any more than they were the parks and playgrounds of the city,� (pg.319) he had asked an Irish Catholic that was hated by the white Southerners. “Richard, don’t mention this to the other white men,� (pg.321) the Irish Catholic said to Wright, which indicates that he is not a typical white southerner who is against the blacks. If there is anyone who is in favor of the blacks, they .....

.... accounts given in praise of eros, by seven different people who are present at the party. Of these accounts, the one that made the most sense was the speech of Socrates when he quotes Diotima. This account is practical, and shows love not as a heavenly creature, but as a mortal being, where we can interact with him. It also has answers that most of the other accounts could not even question. This is what stands the speechof Socrates and Diotima apart from most of the others. But, there were two other speeches that were also impressive and brought about points that Socrates did not make. These accounts were given by Aristophanes and Agathon. Through th .....

.... she begins hemorrhaging, and dies. The baby also dies from the birth. Although this novel is not perfect, he uses very elaborate writing, and also shows how important it is to have good morals. “I loved to take her hair down and she sat on the bed and kept very still, except suddenly she would dip down to kiss me while I was doing it...inside a tent or behind a falls.” This novel is very graphic when it comes to them having sex or while he is at the whorehouses during his leave time. Many things in this novel are inappropriate for children and adults. In more ways then one, Hemingway didn’t like women very much, one exampl .....

.... a clear picture of the characters. Medea features strong dramatic situations and a stirring part for the heroine, whose attitude of feminine pride and tradition is still popular in today's world. Setting: The entire play takes place on the island of Corinth in present day Greece. Individual places such as Medea/Jason's home, and the palace of the king and princess are also spoken of and used in the play. It has an ancient Greek setting as well. Theme: "What goes around comes around." The theme of revenge in the sense of Medea's strong desire to seek revenge on Jason. Another possible theme of Medea may be that at times a punishment of revenge .....

.... the light of the sun, we amass knowledge and ascend into the light of true reality: ideas in the mind. Yet, if someone goes into the light of the sun and beholds true reality and then proceeds to tell the other captives of the truth, they laugh at and ridicule the enlightened one, for the only reality they have ever known is a fuzzy shadow on a wall. They could not possibly comprehend another dimension without beholdin! g it themselves, therefore, they label the enlightened man mad. For instance, the exact thing happened to Charles Darwin. In 1837, Darwin was traveling aboard the H.M.S. Beagle in the Eastern Pacific and dropped anchor on the Galapagos .....