.... the numerous instances and forms of the number '1' throughout the poem. First, 'l(a' contains both the number 1 and the singular indefinite article, 'a'; the second line contains the French singular definite article, 'le'; 'll' on the fifth line represents two ones; 'one' on the 7th line spells the number out; the 8th line, 'l', isolates the number; and 'iness', the last line, can mean "the state of being I" - that is, individuality - or "oneness", deriving the "one" from the lowercase roman numeral 'i' (200). Cummings could have simplified this poem drastically ("a leaf falls:/loneliness"), and still conveyed the same verbal message, but he has alte .....

.... is a symbol of happiness and the joy of life. When the writer sees the sun's rays it gives him joy. By saying that his mistress' eyes do not look like the sun it means that when he looks at her eyes she does not reflect happiness or joy. Her eyes do not shine like the sun. The nature appears more powerful than humankind. In the title of the poem "Shall I Compare Thee to a Summer's Day?", Shakespeare is debating whether or not his love one is worth being compare to a summer day. Unlike the first poem, the poet does not know what the answer is from the title or whether it is fair to compare nature to her. However, as the reader read through the poem .....

.... "So your chimneys I sweep & in soot I sleep."(4) The end-result, however, of this line is quite the opposite: the reader is quickly initiated into the dreadful life of being a chimney sweep and all that it entails. The tale goes on, describing "little Tom Dacre"(5) who cried when his blonde head of curls was shaved. The worldly wise narrator is very practical in his manner of comforting little Tom, "Hush Tom never mind it, for when your head's bare/ You know that the soot cannot spoil your white hair."(7-8) Tom is quieted, yet that same night he is visited by a dream wherein thousands of other chimney sweeps like him are all locked up in black co .....

.... vivid imagery in this poem functions to enhance the reader's perception of the poem. The following passage conveys a resplendent physical sense of coldness as someone is frozen to death: "This is the Hour of Lead-- Remembered, if outlived, As Freezing persons, recollect the Snow-- First--Chill--then Stupor--then the letting go--" The innovative diction in this passage creates an eerie atmosphere all by itself. The effect of this passage is reminiscent of the famous macabre monologue at the end of Michael Jackson's Thriller. Dickenson also excellently portrays the restlessness of the mourners in this following passage: "The Feet, mechanical, .....

.... situation has another perspective, which is a negative one; “We never do work when we’re ruined� (16). The narrator life is not wealthy, it can be understood by “you left us in tatters� and so she looks up with jealousy to her friend who has managed to change and to become a part of a higher society “high compa-ny� (11). Far more, there is a reference to not-knowing melancholy, and yet she defends that with “one’s pretty lively when ruined� (20), which contradicts with the melancholy tone of the poem, to some extent. The recall of the conversation between the two girls comes to a climax when the narrator describes her fantasies .....

.... Theodore (Ted) Bundy, who in 1978, after watching students drink and dance in a college bar, witnessed "a healthy ritual of joy from which we know he forever felt exiled". Shortly thereafter, Bundy left the bar and traveled to the Chi Omega sorority house where he watched from outside, entered, and then killed two girls and wounded two others. Just as Bundy had done, Grendel watched and surveyed from the distance. He waited outside the great hall, listening to the mirth and celebration from within. He hated them. The revelers inside felt no "misery of men." They were not uninvited, outcast, and below the social class of Hrothgar's company. These .....

.... depiction of the fly in the rest of the poem. The first line, which begins describing the fly with "O hideous little bat, the size of snot," immediately introduces the atmosphere of what is to follow. The lines that follow describe a creature that is lowly and parasitic, yet well suited to the world it lives in and feeds off of. The second stanza depicts the fly flying as a minute messenger of filth and disease. It is described landing on the heap of dung, then contaminating all that is clean with its filth and decay. Its hungry burrowing and laying of maggots in a dead body is described, as is its perpetual shyness from its adversary, man. I .....

.... sea to the sum of all human troubles. The sea is eternal just as human suffering is eternal. The sea has also seen all of the human suffering and in it's roar the poet can hear that suffering. When the poet talks about Sophocles and the Aegean he is clearly reinforcing the idea of the sea being the bearer of misery. The reference is to Sophocles tragic plays and the suffering that necessarily accompanied them. This image becomes powerful as the reader realizes that the poet is saying that he can hear the same message on Dover Beach that Sophocles heard so many years ago by the Aegean. He is basically saying that the nature of life doesn't change. .....

.... was caused by his insanity. He had once been an attractive man and "the character of his face had been at all times remarkable" (667). However, his appearance deteriorated over time. Roderick had changed so much that "[the narrator] doubted to whom [he] spoke" (667). The narrator notes various symptoms of insanity from Roderick's behaviors: "in the manner of my friend I was struck with an incoherence -- an inconsistency...habitual trepidancy, and excessive nervous agitation...His action was alternately vivacious and sullen. His voice varied rapidly from a tremulous indecision...to that...of the lost drunkard, or the irreclaimable eater of opium" (66 .....

.... her middle teenage years and bad marriages. This period in Maya's life constitutes much of the pain that is included in many other poems. In the poem, "No Loser, No Weeper," Maya describes how she just hates to lose something, whether is small like a watch or a toy. Moreover this poem is directed towards another female trying to steal her lover. Maya wants to make it clear to the woman not touch her "lover-boy." She explains her warning by stating that she hates to lose something "even a dime, I wish I was dead." We gather from that statement that losing something so small and worthless as a dime would make Maya wish she was dead is very serious .....