.... the reader closer to the sea and help the reader understand why the speaker must return to the sea. "Sea Fever" not only depicts a strong longing for the sea through its theme, but also through use of complex figures of speech, imagery, and meter. "Sea Fever" is an excellent example of varied meter which follows the actions of a tall ship through high seas and strong wind. Lines one and two contain the common iambic meter found throughout the poem. "Sea Fever" may be categorized as a sea chantey due to its iambic meter and natural rhythm which gives it a song like quality. This song like quality is created through the use of iambic meter and alliter .....

.... allegory for woman, and uses the levels of allegory ironically. The stories of the dog and the bird layer the theme to help represent Louisa’s life, who in turn represents the Eighteenth century woman of society. Louisa’s animals and their relationship to her suitor are further links between her and her pets. The suitor brings out different traits than the norm in both the animals and the woman of this story. The man’s influence is seen as disruptive. Man is seen as a threat to the serenity and security of a spinster’s life. Imagery put forth by this story, and by stereotypes of the day is of the new England spinster. Women who were not ma .....

.... arose when the ideals that backed up their actions clashed with each other, making it contradiction between morals. Antigone's side of the conflict held a much more heavenly approach, as opposed to the mundane road that Creon chose to follow. Antigone feels that Creon is disregarding the laws of heaven through his edict. After she is captured and brought to Creon, she tells him "I do not think your edicts strong enough to overrule the unwritten unalterable laws of God and heaven, you being only a man." Antigone's staunch opinion is one that supports the Gods and the laws of heaven. Her reasoning is set by her belief .....

.... not worthy of her. (a spoiled little brat) But she must have had some sort of a feeling for Pip because she let him kiss her after Pip’s fight with Herbert. Her feelings for Pip were put off for awhile and she later on went for Drummle. She was beaten and abused in every way possible. This must of opened her eyes a little, she knew she had to be with Pip. Estella’s feelings are expressed later, after Miss Havisham passed on. She meets up with Pip and expresses her feeling towards him. At the end of the novel Estella says that they shall never part again. This meaning that they would probably get married and settle down. In conclusio .....

.... or another on Hester, Dimmesdale, and Pearl (Baym 84). However, the only true letter is the letter that hester wears on her breast (Baym 86). The "A" is Hester's armor of pride, but is also her emblem of suffering (Martin 114). Baym also states that knowing what the letter means is what the novel is all about (86). The red "A" clearly stands for adultery. Puritan society sees the "A" as a symbol of guilt, Hester's infraction of their moral code (HArt 95). Hester is given the punishment of wearing the letter instead of being put to death because she is young and comes from a prominent family. However, the pain and heartache that the "A" brings to .....

.... as if he has. Themes of naturalism greatly prevail in Stephen Crane's short story "The Open Boat." The first aspect in Stephen Crane's, "The Open Boat," is realism. In the story, Crane as the correspondent has great significance in that the correspondent in the story is based on Crane himself. The story is told through the correspondent's point of view. The story is somewhat based on one of Crane's actual life experiences. In Crane's Life and Times, Crews states, " The Open Boat is almost a factual account of Crane's experience, but is also a work of art whose place among the best American short stories is secure" (125). With the story bein .....

.... in the novel, reflects the characters innermost thoughts and feelings to their fellow townspeople, and proves to be the only place in the Boston community in which unbridled- and often brutal- honesty can be found. Hawthorne uses the scaffold as a tool through which he demonstrates the public revelation of one’s sins. Public penitence upon the scaffold was the only way society would acknowledge, and later forgive one for their sins. It is the first step on the long road to acceptance back into the strict, Puritan society. In the first of three scaffold scenes, Hester stands before the community, wearing a scarlet A. For her punishment, she was .....

.... her taxes, but generations change within the story, and their values differ. So the next generation, feeling no hereditary obligation attempts to collect these reportedly remitted taxes. The encounter between the next generation with its more modern ideas and the aged Miss Emily gives the first visual details of the inside of the house and of her. Inside was a dusty, dank desolate realm dominated by the presence of the crayon portrait of her father. Miss Emily was described as a small, fat woman in black, with a thin gold chain descending to her waist and vanishing into her belt, leaning on an ebony cane with a tarnished gold head. Her skeleto .....

.... understands their meaning. His grandfather's words eventually serve as catalyst for his subsequent disillusionments, the first of which occurs directly after he graduates from high school. At this time, the narrator is invited to give a speech at a gathering of the town's leading white citizens. The speech he is planning to give expresses the view that humility is the essence of progress. Subconsciously, the words of his grandfather prevent him from truly believing the thesis of his own speech, but he gives it anyway. Instead of being shown respect for his work, however, he is humiliated by being made to fight blind-folded against other young black me .....

.... culture was based on the expansion of the individual's mind; only through education can a perfect culture be reached. In his writings, Arnold stated that for a man to be cultured he has to be versed in both religion and classic literature. Although Arnold's culture sought the advancement of the human mind; he did not want people to get wrapped up in technology. "Faith in machinery is, I said, our besetting danger; often in machinery most absurdly disproportioned to the end which this machinery" (23). Arnold believes his culture is "more interesting and more far-reaching than that other, which is founded solely on the scientific passion for .....