.... of the "" consists of a cacophony of Whitman's different selves vying for attention. It follows that Whitman's sexual self would likewise find itself a voice. A number of passages strongly resonate with Whitman's sexuality in their strongly pleasurable sensualities. The thoroughly intimate encounter with another individual in section five particularly expresses Whitman as a being of desire and libido. Whitman begins his synthesis of the soul and body through sexuality by establishing a relative equality between the two. He pronounces in previous stanzas, "You shall listen to all sides and filter them from yourself," and, "Not an inch nor a particl .....

.... avoided many times. Hamlet had many opportunities to kill Claudius, but did not take advantage of them. He also had the option of making his claim public, but instead he chose not too. A tragic hero doesn't need to be good. For example, MacBeth was evil, yet he was a tragic hero, because he had free will. He also had only one flaw, and that was pride. He had many good traits such as bravery, but his one bad trait made him evil. Also a tragic hero doesn't have to die. While in all Shakespearean tragedies, the hero dies, in others he may live but suffer "Moral Destruction". In Oedipus Rex, the proud yet morally blind king plucks out his eyes, and has t .....

.... It acts as a divider between the stanzas dealing with a specific character. In the fourth stanza, Father McKenzie is introduced to the reader. He is conveyed as a materialistic man whose life has no meaning. Line fourteen literally tells the reader that no one will hear his sermon. The Father has no point to his life if he reaches no one through his sermons. Father McKenzie is “darning his socks in the night when there’s nobody there,” which implies he is ashamed. He tries to hide not only the fact that he cannot afford new socks, but he is also hiding his self just as Eleanor did. The seventh stanza brings the two cha .....

.... to Ithaca, many men tried to wed his wife, Penelopeia, so that they could rule his kingdom. Odysseus was also an epic hero because he had human weaknesses. One of his weaknesses was that he was arrogant. Even after he defeated Polyphemos (the Cyclops) Odysseus stayed longer just so he could taunt him. He “…wanted to shout out again…although [his] comrades…tried to coax [him] not to do it” (p.110). Odysseus, against his crew’s wishes, shouted, “…Cyclops! if ever a man asks you who put out your ugly eye, tell him your blinder was Odysseus!” (p.110). Another human weakness of Odysseus was that .....

.... that we have In three our kingdom, and 'tis our fast intent To shake all cares and business from our age, Conferring them on younger strengths while we Unburdened crawl to death..." (Act I, Sc i, Ln 38-41) This gives the reader the first indication of Lear's intent to abdicate his throne. He goes on further to offer pieces of his kingdom to his daughters as a form of reward to his test of love. "Great rivals in our youngest daughter's love, Long in our court have made their amorous sojourn, And here are to be answered. Tell me, my daughters (Since now we will divest us both of rule, Interest of territory, cares of state), Which of you shall we s .....

.... also people that have their family's financial support to educate them. Finally, there is the illegal way of achieving the "American Dream.” Gatsby felt that the illegal way was the most appealing to him. There are a number of passages that lead us to infer Fitzgerald's view of the "American Dream.” Near the beginning of the story, Nick drops the first hints that lead us to infer Fitzgerald's view of the "American Dream.” Only Gatsby, the man who gives his name to this book, was exempt from my reaction-Gatsby, who represented everything for which I have an unaffected scorn. If personality is an unbroken series of successfu .....

.... divine intervention does not guarantee salvation. It is a choice made by man that does insure salvation. So, as seen in The Inferno, hell still exists and the chances of going there are real. A reader might wonder how God can allow this kind of suffering and pain. Dante succeeds in justifying the coexistence of God, who is omnipotent, just, and loving with a hell that is treacherous, disgusting, and eternal. Dante alludes to the power of God as one of his recurring themes in The Inferno. Dante, the character, is a mere mortal. God placed him in the hands of Virgil, a great Roman poet who represents human reason within The Inferno. Although Dant .....

.... be!’/ This have I thought good to deliver thee, my dearest/ partner of greatness; that thou mightest not lose the/ dues of rejoicing, by being ignorant of what greatness/ is promised thee. " (I v, 5-13). Because Lady Macbeth is a woman, she does not have the strength in her female frame, either in heart, body nor mind to carry out the deed of killing the King. Therefore, she calls upon the aid of the supernatural to give her male powers, so that she may have the gall to go through with the plan to murder the King, and allow Macbeth to obtain the throne. "The raven himself is hoarse/ That croaks the fatal entrance of Duncan/ Under my battlements .....

.... this alliance may so happy prove, to turn your households rancour to pure love."(Act 2, Scene 3), he is saying that the only reason he will marry Romeo and Juliet is because he hopes that the marriage will end the hostilities between the two houses. When he says "Shall Romeo by my letters know our drift, and hither shall he come; and he and I shall watch thy waking, and that very night shall Romeo bear thee to Mantua." (Act 4, Scene 1), he tells Juliet how everything will be all right. Unfortunately, for all his good intentions the play still ends in tragedy. Friar Lawrence is a man who is not afraid to take risks when he feels it is neccesary to he .....

.... Bird, lover of veteran baseball star the Whammer, shoots Roy down with a silver bullet. The evening before Harriet injures Roy; she asks him, in a restaurant car, whether he has read Homer. The authors are not just drawing on the Matter of Britain for their archetypes. The manager and co-owner of the team Roy eventually rises to prominence with, the New York Knights may be called Pop Fisher. He may warn Roy, momentarily changing role models, that he should not begin a relationship with the most beautiful woman in the baseball world, because she is bad luck. Max Mercy, the sports columnist whom we first meet as guardian to the Whammer, seems to r .....