.... the way you keep morale up is you don't let the public know how bad war really is. Television is one of the most powerful tools of media and “by the mid 1960's television had become the most important source for news for most of the American public, and beyond that, perhaps, the most powerful single influence on the public.� (Hallin 106) So people trusted what reporters like Walter Cronkite were telling them. They believed it when NBC journalists told them things like, “ the Marines are so bogged down in Hue that nobody will predict when the battle would end…more than 500 marines have been wounded and over 100 dead since the in Hue began.†.....

.... Unfortunately, Tybalt and Mercutio are killed and Romeo gets banished leaving Juliet without a husband or a cousin. "O, I am a fortune's fool," (Act III, Scene I) explains how Romeo felt at the moment of Tybalt's death. He felt that he fell into one of fate's many cruel games and it was too late to get out. When things are just getting worst, Lord Capulet arranges for Juliet to marry Paris causing Juliet to panic. She then has to hurry and do something to stop the wedding and of course fate would just happen to guide her back to Friar Lawrence. Fate wouldn't just stop there. He just kept on going. He has it arranged that Friar John, the m .....

.... different intensities of lighting, low-key lighting and high-key lighting. In the scene where Joe Sullivan escapes from prison, Pat is waiting in the car and all that you can see is her face, a result of low-key lighting. The use of this type of lighting is used to increase the intensity of the scene and define the mood. By directing their attention to Pat’s face, the audience can concentrate on her facial expressions and sense her fear. The direction of the light also plays a key role in creating a successful visual image. An example of this is the use of front-lighting and back-lighting in the scene on the boat where Joe is talking to Pat a .....

.... In the long run they will learn to live without me physically, but in their souls I would forever be alive. Friends do not share souls as families do. Friends come and go, some quicker then others but rarely forever. You do not always share as much love with your friends then compared to your family. To die for friends is questionable. Only the forever friend, will I die for, but how could I tell the future. One does not know the future, and for that reason is my value towards my friends questionable. As for my country I refuse to risk my life for dictator who is on a power trip. Almost all wars are useless as the war of Vietnam. Did the Ame .....

.... and at the Metropolitan Museum of Art. Yet another American pop artist was Larry Rivers. He was born in 1923 and still lives. His work may be found at the Metropolitian Museum of Art. Robert Rauschienburg was also an American pop artist. He was born in 1925, and, like most of the other artists in this essay, still ives. His work may be found at the Whitney Museum of Art and at the Modern Museum of Art. I chose to describe As I Opened Fire, by Roy Lichenstein. It was made in 1964 and is the the third of three panels in a narrative arrangement. As I Opened Fire is magna on a canvas which is 68 X 56. Its composition reminds of a comic book. It .....

.... of the conspirators against Caesar) ancestors, the Tarquins. Nearly five hundred years before Caesar was even born, a cruel, unscrupulous leading family had seized the riens of power and had set themselves up as kings. From that point on, the people of Rome hated kings, and they bounded themselves together by a solemn oath never to tolerate a monarch, and it was formally enacted into law that if any man wish that the monarchy should be restored, he was to be declared a public enemy and be put to death. Brutus and the rest of the conspirators had killed Caesar, but they made an error, which was letting Mark Antony, one of Caesar's friends live. A .....

.... play is not one of the extremely important ones. His main function is to be a figure who's actions are partially responsible for Othello believing that his wife is cheating on him. For example, Cassio asking for Desdemona's help leads to the two of them being seen together, which is in act three scene three line 35. In the end of the play, Cassio becomes the governor in Cyprus after the former Governor, Othello, commits suicide, in act five scene two from line 366-378, which shows another of his functions, to act as one of the means which ties up the loose ends at the end of the play. Now, Roderigo. Roderigo is a foolish, cheated, .....

.... of Rome?" Most, if not all of them, seem to have the ability to gain from Caesar's demise. Even if they were all acting for the greater good, no man can be held accountable for crimes he might commit in the future. In a tragic play, the protagonist is plagued by a "fatal flaw" in his or her personality. Usually the flaw leads to the protagonist's demise or downfall. Brutus' fatal flaw is that he is too trusting. Brutus is an honorable man, who foolishly believes that those around him are just as honest and noble as himself. He just wants what is best for the Republic, and the conspirators convince him that Caesar's death is the best thing for .....

.... and see how he reacts. In addition to ordering his servants to treat Sly as their master, he too pretends to be a servant. The most amusing part of this induction occurs when Sly becomes convinced that he is indeed a nobleman. When he first awakes, he thinks that everyone is playing a joke on him. After some convincing, Sly gives in and believes that he really was suffering from a long sickness. When Sly asks the page, who is pretending to be his wife to undress and join him in bed, the audience must have reacted with loud laughter knowing that his ‘wife' is actually the same sex as he. Although Sly does not understand the lifestyle of the upp .....

.... Ophelia, but a man driven crazy by thought. Hamlet's behavior throughout the play, especially towards Ophelia is inconsistent. He jumps into Ophelia's grave, and fights with Laertes in her grave. He professes "I loved Ophelia. Forty thousand brothers/Could not, with all their quantity of love,/ Make up my sum" [Act V, scene I, lines 250-253], during the fight with Laertes in Ophelia's grave, but he tells her that he never loved her, when she returns his letters and gifts, while she was still alive. Hamlet subtly hints his awareness of his dissolving sanity as he tells Laertes that he killed Polonius in a fit of madness [Act V, scene II, lines 236- .....