.... he expresses his despair through thoughts of suicide, suggesting that suicide is an easy way to end life's conflicts. But luckily he concludes that the fear of an unknown afterlife is what keeps us living. All of Hamlet's thoughts of despair can be understood when one looks at the horrible conflicts Hamlet goes through. Sorrow, perhaps the most evident emotion, is very well developed throughout the play. Initially, the only cause of Hamlet's sorrow is his father's death. However, after reading Act 1, scene 2, we see in Hamlet's asides that another source of his melancholy is his mother's hasty marriage to Claudius, the new king of Denmark. Furthe .....

.... son get thee to the lower world. This shows reverend Hales views on witchery. Another example of Hale's character and his savings of witches is when he said, “Now Tituba, I know that when we bind ourselves to Hell it is very hard to break with it. We are going to help you tear yourself free-� The point when Reverend Hale begins to change is in Act III during the trial of John Proctor. “I am a minister of the lord, and I dare not take a life without there be a proof so immaculate no slightest qualm of conscience may doubt it.� He starts to doubt if the very thing that he searches to rid the people of might be a lie. Let you not mista .....

.... monster in that the very idea of killing Duncan horrifies him, and in Act II he tries to tell Lady Macbeth that he will not go through with the murder. The character of Lady Macbeth is therefore required to provide Macbeth with the extra will-power to fulfil his royal ambitions. Macbeth is almost 'forced' by Lady Macbeth to murder Duncan. After committing the murder, Macbeth seems almost delirious and he says that "...all great Neptune's ocean....hand". We can already see that he is sorry for what he has done. When Macbeth orders Banquo's murder, he is still in torment, but the cause of his anguish seems to have been changed. He is afraid of .....

.... as his power corrupts him. At about the time his degradation reaches it's climax the chorus interrupts with a song about death, how man can control the most powerful of elements, and tame the wildest beast, yet death still comes. He also learns through them some important things about love, especially that it is unconquerable. Through the chorus Creon begins to see that he is wrong and God is superior to himself, but it takes a lot to shake his belief that a perfect society is run by an unrelenting rule. This play also told me a lot about humans in general, that the they aren't interested in anything but the fulfillment of their own needs, .....

.... as `to give a hint or suggestion of beforehand'. In drama, foreshadowing is generally used for several purposes, including the creation of tension, creation of atmosphere, and adds an element of credibility to a character. All of these are important elements of a play. However it is not hard to imagine a play in which more then half of the elements of a plot, namely exposition, discovery, point of attack, complication and crisis all be caused by an act of foreshadowing or prophecy. Indeed, “Oedipus the King�, which was considered the greatest play in history by Aristotle, was one such play. "Oedipus the King" was the story of the King .....

.... In the early acts of the play, Brutus says to Cassius, "What means this shouting? I do fear the people do choose Caesar for their king…yet I love him well."(act 1, scene 2, ll.85-89), as he is speaking to Cassius. Brutus loves Caesar, but would not allow him to "climber-upward…He then unto the ladder turns his back…"(act 2, scene 1, ll.24,26). As the quote says, Brutus would not allow Caesar to rise to power and then turn his back onto the people of Rome. After the assassination of Julius Caesar, Brutus talks to Antony about Caesar's death. "Our hearts you see not; they are pitiful; and pity to the general wrong of Rome…"(act 3, scene 1, l .....

.... The other reason for the director's use of cuts and camera movements was he wanted to make sure people remembered that they were watching a movie and that they were not in some fantasy land. At one point in the middle of the film there was a scene with Vertov's wife clipping and editing the movie in a studio. Then there was a still-frame before the movie continues. This was done so viewers would again realize they were watching a movie, because too often people take things for granted. Other uses of time were implemented by Vertov to ensure the viewers understood they were watching a movie. There were a multitude of different sequences involve .....

.... a film that applies to the modern audience through this updating. Luhrmann modernizes "Romeo and Juliet," through constant alterations of the props, which entice the audience into genuinely feeling the spirit of Shakespeare. First, the movie starts with an prologue masked as a news broadcast on television. This sets the scene of the play by illustrating the violence occurring between the two wealthy families, the Montagues and the Capulets. In Zeffirelli's film of "Romeo and Juliet," the prologue takes the form of a dry narrator relating the story of the Montagues and Capulets over a backdrop of an Italian city. For most modern viewers (espe .....

.... he directs to us the audience that he will keep up the fight until the end. His vitality is destroyed when he losses the fight and is slayed by Romeo. Furthermore, it is brought to our attention in how a persons innoncence is demolished. “O, I am fortunes fool� (654) as Romeo states. By this he means that he feels that the stars did this purposly. The people see the loss of his purity when he is sentenced to exile by the Prince, for the murder of Tybalt. As Romeo is sentenced he becomes aware he must pay for what he has done. More importantly, when Romeo’s virtue is ruined the characters make it well known to the audience. As Romeo wi .....

.... Iago is so exceedingly paranoid and insane that he will go far as murdering, and deluding even a general into murdering his wife. Iago simultaneously conducts a devious plan to obtain Cassio's position as lieutenant, using Desdemona's prime weakness; her naivety. He disgraces Cassio by intoxicating him enough so he strikes Roderigo. Othello then discharges Cassio of his Lieutenancy when he says: "Cassio, I love thee,/ But nevermore be officer of mine" (II.iii.242-244). It was therefore understandable that he would fall to the mercy of Iago, completely oblivious to the inevitable effects. Iago reveals his plan to the reader in his third soliloquy .....